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dc.contributor.advisorGrenfell, Mary-Joen_US
dc.contributor.advisorZagaria, Holly M.en_US
dc.contributor.authorDionne, Annabelle G.
dc.creatorDionne, Annabelle G.en_US
dc.date2021-11-24T14:05:39.000en_US
dc.date.accessioned2021-11-29T11:34:13Z
dc.date.available2021-11-29T11:34:13Z
dc.date.issued2021-05-01en_US
dc.date.submitted2021-08-31T11:13:14-07:00en_US
dc.identifierhonors_theses/321en_US
dc.identifier.urihttp://hdl.handle.net/20.500.13013/803en_US
dc.description.abstractRemembering Voices is a recital designed with two parts, each centering around a different theme. The first section of the program honors traditions in the classical music realm with art songs and arias that are close to my heart. The preparation for this portion of the recital has been a lovely trip down memory lane where I have had ample opportunity to remember my voice from years prior. I have also had the opportunity to acknowledge its growth while at Salem State University as a result of working with esteemed vocal instructors. The second section remembers voices that were silenced throughout history, especially in the nineteenth and twentieth century as a result of antisemitism. It attempts to pay homage to the struggle endured by European Jews during this time as they were mistreated, silenced, faced discrimination and hate, and often had to flee their homes or convert to Christianity, as Mahler did. While I am not Jewish, I am very interested in Jewish culture and am committed to honoring the challenges faced by both Jewish composers and non-musicians. Through this commitment, interest, and admiration, I resolved to dedicate a portion of this recital to the works of Jewish composers and Jewish music out of respect for their suffering and their incredible contributions to the musical world. It is both for my remembering of my own voice and for the conscious remembering of silenced voices that this recital is entitled Remembering Voices. Remembering the voices of these marginalized people, and the voices of all other composers represented in the repertoire for this recital, is exactly what I intend to do.en_US
dc.titleRemembering Voicesen_US
dc.typeThesisen_US
dc.legacy.pubstatuspublisheden_US
dc.description.departmentMusic and Danceen_US
dc.type.degreeBachelor of Arts (BA)en_US
dc.legacy.pubtitleHonors Thesesen_US
dc.legacy.identifierhttps://digitalcommons.salemstate.edu/cgi/viewcontent.cgi?article=1321&context=honors_theses&unstamped=1en_US
dc.legacy.identifieritemhttps://digitalcommons.salemstate.edu/honors_theses/321en_US
dc.legacy.identifierfilehttps://digitalcommons.salemstate.edu/context/honors_theses/article/1321/type/native/viewcontenten_US
dc.subject.keywordforeign languageen_US
dc.subject.keywordJewishen_US
dc.subject.keywordmusicen_US
dc.subject.keywordrecitalen_US
dc.subject.keywordvoiceen_US


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