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dc.contributor.advisorKiernan, Julieen_US
dc.contributor.authorBelley, Sarah
dc.creatorBelley, Sarahen_US
dc.date2021-11-24T14:05:38.000en_US
dc.date.accessioned2021-11-29T11:34:10Z
dc.date.available2021-11-29T11:34:10Z
dc.date.issued2021-05-01en_US
dc.date.submitted2021-08-31T11:13:14-07:00en_US
dc.identifierhonors_theses/314en_US
dc.identifier.urihttp://hdl.handle.net/20.500.13013/795en_US
dc.description.abstractThis paper is meant to display the authors journey as a young and developing director as she works with two actress on four different and varying monologues of the directors choosing. The monologues are from Medea, Macbeth, A Doll's House, and A Streetcar Named Desire. Each monologue provides its own series of challenges for the director to work through with each actress. It displays the work that a director must do to better help their actors in their work of a piece. Such as breaking down the plot of the play and the character arc. Understanding the character and being able to convey that information forward. This is followed by notes from the different stages of the rehearsal process. Concluding with a reflection of the process both positive and negative aspects. As well as what the author will be able to take away as she graduates and enters the world of directing.en_US
dc.titleAn Objective Look Into The Directing Processen_US
dc.typeThesisen_US
dc.legacy.pubstatuspublisheden_US
dc.description.departmentTheatre and Speech Communicationen_US
dc.type.degreeBachelor of Arts (BA)en_US
dc.legacy.pubtitleHonors Thesesen_US
dc.legacy.identifierhttps://digitalcommons.salemstate.edu/cgi/viewcontent.cgi?article=1314&context=honors_theses&unstamped=1en_US
dc.legacy.identifieritemhttps://digitalcommons.salemstate.edu/honors_theses/314en_US


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