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    La Mujer Pasiva Vs. La Mujer Activa: La Contradicción De Ideas Feministas En Las Obras De Pedro Almodóvar

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    Title
    La Mujer Pasiva Vs. La Mujer Activa: La Contradicción De Ideas Feministas En Las Obras De Pedro Almodóvar
    Author
    Benitez, Angelina
    Date
    2018
    Subject
    Pedro Almodóvar
    feminism
    male gaze
    film theory
    women
    passive/active
    
    Metadata
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    URI
    http://hdl.handle.net/20.500.13013/635
    Abstract
    The nature of my thesis, La mujer pasiva vs. la mujer activa: la contradicción de ideas feministas en las obras de Pedro Almodóvar, is to determine with the feminist lens of Laura Mulvey whether Pedro Almodóvar can be considered a feminist director. By applying Mulvey’s theory in Visual Pleasure and Narrative Cinema, this thesis analyzes the passive and active women within his films Mujeres al borde de un ataque de nervios, Volver, Todo sobre mi madre, Todo sobre mi madre, Hable con ella, and La piel que habito. As a woman who participates in popular culture of all types, I often notice the “types” of women portrayed throughout a variety of medias. The intention of this thesis is to understand and acknowledge how people of the media such as Almodóvar can both question and deconstruct patriarcal concepts such as the male gaze and other harmful misogynistic ideas.
    Advisor
    Serra, Fatima
    Department
    World Languages and Cultures
    Music and Dance
    Degree
    Bachelor of Arts (BA)
    Collections
    World Languages and Cultures Honors Theses
    Music and Dance Honors Theses
    Honors Theses

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