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dc.contributor.advisorYoung, Stephenieen_US
dc.contributor.advisorMulman, Lisaen_US
dc.contributor.authorCaron, Lyndsay
dc.creatorCaron, Lyndsayen_US
dc.date2021-11-24T14:05:37.000en_US
dc.date.accessioned2021-11-29T11:28:10Z
dc.date.available2021-11-29T11:28:10Z
dc.date.issued2014-05-01en_US
dc.date.submitted2015-04-10T07:06:51-07:00en_US
dc.identifiergraduate_theses/6en_US
dc.identifier.urihttp://hdl.handle.net/20.500.13013/567en_US
dc.description.abstractThis thesis explores significant issues of representation pertinent to the contemporary American memoir such as "truthfulness," memory, and trauma. It also examines the ways in which individual memoirists encounter and address these issues, especially in regards to the memoirists' incorporation of photographs into their narratives . The central works discussed in this thesis include the following memoirs: Let's Pretend This Never Happened: A Mostly True Memoir (2012) written by Jenny Lawson, Half in Shade: Family, Photography, and Fate (2012) written by Judith Kitchen, and Dorothy Allison's 1996 memoir Two or Three Things I Know For Sure. Chapter one of this thesis focuses on issues of representing one's story "truthfully" and Lawson's use of photographs as "proof' of her hard-to-believe stories in Let's Pretend This Never Happened: (A Mostly True Memoir ) . The next chapter centers on the representation of memory and postmemory, as well as Kitchen's use of photographs in her attempt to revive the past in Half in Shade: Family, Photography, and Fate. The final chapter is concerned with troubles of representing trauma and Allison's use of photographs in Two or Three things I Know For Sure to potentially help her say what she struggles to say with words alone. Throughout this thesis, the ways in which the photographs function as well as to what extent they aid and/or complicate representation is explored in addition to the question of why they are being included in memoir more and more frequently .en_US
dc.titlePicture This: Representation, Photographs, and the Contemporary American Memoiren_US
dc.typeThesisen_US
dc.legacy.embargo2015-04-10T00:00:00-07:00en_US
dc.legacy.pubstatuspublisheden_US
dc.description.departmentEnglishen_US
dc.date.displayMay-14en_US
dc.type.degreeMaster of Arts (MA)en_US
dc.legacy.pubtitleGraduate Thesesen_US
dc.legacy.identifierhttps://digitalcommons.salemstate.edu/cgi/viewcontent.cgi?article=1005&context=graduate_theses&unstamped=1en_US
dc.legacy.identifieritemhttps://digitalcommons.salemstate.edu/graduate_theses/6en_US
dc.legacy.identifierfilehttps://digitalcommons.salemstate.edu/context/graduate_theses/article/1005/type/native/viewcontenten_US
dc.subject.keywordJenny Lawsonen_US
dc.subject.keywordJudith Kitchenen_US
dc.subject.keywordDorothy Allisonen_US
dc.subject.keywordmemoiren_US
dc.subject.keywordpostmemoryen_US
dc.subject.keywordtraumaen_US


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