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dc.contributor.advisorRisam, Roopikaen_US
dc.contributor.authorAlthea, Terenzi
dc.creatorAlthea, Terenzien_US
dc.date2021-11-24T14:05:37.000en_US
dc.date.accessioned2021-11-29T11:27:54Z
dc.date.available2021-11-29T11:27:54Z
dc.date.issued2015-08-01en_US
dc.date.submitted2015-10-22T07:44:11-07:00en_US
dc.identifiergraduate_theses/11en_US
dc.identifier.urihttp://hdl.handle.net/20.500.13013/537en_US
dc.description.abstractThe thesis explores the sacred in three modern African American novels: Beloved by Toni Morrison (1987), Praisesong for the Widow by Paule Marshall (1983), and The Color Purple by Alice Walker (1970). These novels include female protagonists who have undergone various traumas, though all of their traumas extend from their positions as black women in white male dominated America. The inclusion of both Western and African religious elements relates to their individual and cultural traumas, and patterns in sacred motifs in each novel are read as paths to reconciliation.en_US
dc.titleTraumatic Dualities: Religion and Recovery in African-American Women's Writingen_US
dc.typeThesisen_US
dc.legacy.embargo2015-10-22T00:00:00-07:00en_US
dc.legacy.pubstatuspublisheden_US
dc.description.departmentEnglishen_US
dc.date.displayAugust 2015en_US
dc.type.degreeMaster of Arts (MA)en_US
dc.legacy.pubtitleGraduate Thesesen_US
dc.legacy.identifierhttps://digitalcommons.salemstate.edu/cgi/viewcontent.cgi?article=1010&context=graduate_theses&unstamped=1en_US
dc.legacy.identifieritemhttps://digitalcommons.salemstate.edu/graduate_theses/11en_US
dc.subject.keywordAfricanen_US
dc.subject.keywordfeminismen_US
dc.subject.keywordpatriarchyen_US
dc.subject.keywordtraumaen_US
dc.subject.keywordreligionen_US


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