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dc.contributor.advisorCunningham, Williamen_US
dc.contributor.authorRossmeisl, Stephanie
dc.creatorRossmeisl, Stephanieen_US
dc.date.accessioned2022-09-09T18:37:53Z
dc.date.available2022-09-09T18:37:53Z
dc.date.issued2022-05-01en_US
dc.identifier.urihttp://hdl.handle.net/20.500.13013/2666
dc.description.abstractLogic and emotion are often seen as antithetical. In most people’s minds, the former connects to the scientific, the mathematical, the intellectual, the objective, and the tangible, while the latter relates to the artistic, the ethical, the subjective, the spiritual, and the intangible. In my process journal, I use my original full-length play, The Intersection of The Head and The Heart, as a means to explore these human qualities’ roles in arguably theatre’s foremost topic of examination: the shared human experience. This ultimately examines whether or not an effective intersection between the two even exists. A detailed breakdown and analysis of the play, as well as commentary on my sources of inspiration, techniques, and overall process from writing to performance, demonstrates how the intersection can be examined, both during the process and in the finished product. Finally, I conclude with my personal, academic, and artistic growth over the years. Particular consideration is given to how this is all a greater reflection of my own life experiences.en_US
dc.language.isoenen_US
dc.titleThe Intersection Of The Head And The Heart: A Playwright’s Journey In Logic And Emotionen_US
dc.typeThesisen_US
dc.description.departmentTheatre and Speech Communicationen_US
dc.date.displayMay 2022en_US
dc.type.degreeBachelor of Fine Arts (BFA)en_US
dc.subject.keywordplaywritingen_US
dc.subject.keywordprocessen_US
dc.subject.keywordMarsen_US
dc.subject.keywordlogicen_US
dc.subject.keywordemotionen_US
dc.subject.keywordtheatreen_US


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