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dc.contributor.authorValens, Keja
dc.contributor.authorCook, Jessica
dc.contributor.authorEscobar-Leswell, Chantelle
dc.contributor.authorMiller, Evan
dc.contributor.authorEshelman, Sarah
dc.creatorValens, Keja
dc.creatorCook, Jessica
dc.creatorEscobar-Leswell, Chantelle
dc.creatorMiller, Evan
dc.creatorEshelman, Sarah
dc.date.accessioned2022-06-14T13:24:39Z
dc.date.available2022-06-14T13:24:39Z
dc.date.issued2022-05-05
dc.identifier.urihttp://hdl.handle.net/20.500.13013/2541
dc.description.abstractJessica Cook discusses her thesis Mosaics Of Wholeness: Healing Through Queer Indigenous Self-Telling in Billy-Ray Belcourt's A History Of My Brief Body and Deborah Miranda's Bad Indians. Chantelle Escobar-Lewsell discusses her thesis Exploratory Theatrics: Muriel Spark's Treatment Of A Woman's Absurd In The Driver Seat, Memento Mori, And The Portobello Road. Sarah Eshelman discusses her capstone Community And Literature: How Literature Reflects Our Reality And Reveals Our Aspirations. Evan Miller discusses his thesis Journeying Through The In-Between: An Exploration Of Liminality in José Saramago’s Blindness, All The Names, And The Cave
dc.titleCritical Last Words
dc.typepresentation
dc.description.departmentEnglish
dc.date.displayMay 5, 2022en_US
dc.date.displayMay 5, 2022


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