<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns="http://purl.org/rss/1.0/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel rdf:about="http://hdl.handle.net/20.500.13013/2138">
<title>History Honors Theses</title>
<link>http://hdl.handle.net/20.500.13013/2138</link>
<description/>
<items>
<rdf:Seq>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.13013/3399"/>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.13013/2643"/>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.13013/2215"/>
<rdf:li rdf:resource="http://hdl.handle.net/20.500.13013/895"/>
</rdf:Seq>
</items>
<dc:date>2026-04-20T10:39:18Z</dc:date>
</channel>
<item rdf:about="http://hdl.handle.net/20.500.13013/3399">
<title>La guitarra con sentido y razón: How the Chilean New Song Defined a Generation</title>
<link>http://hdl.handle.net/20.500.13013/3399</link>
<description>La guitarra con sentido y razón: How the Chilean New Song Defined a Generation
Worrall, Tommie
This thesis analyzes the development of the New Song movement in Chile from its inception in the 1950s with the music recovery efforts of Violeta Parra, through its heyday in the 1960s and early 1970s during the years of Salvador Allende's Popular Unity government, to its legacy following the Pinochet coup of 1973. This thesis examines the New Song movement's musical origins, political messages, and connections to the most pressing issues of its time, including the domestic urban-rural divide and the involvement of the ordinary people in the nation's political sphere.
</description>
<dc:date>2024-05-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/20.500.13013/2643">
<title>The Universal Museum And International Relations: Obstacles To The Full Realization Of Museums In Cultural Diplomacy</title>
<link>http://hdl.handle.net/20.500.13013/2643</link>
<description>The Universal Museum And International Relations: Obstacles To The Full Realization Of Museums In Cultural Diplomacy
Grishin, Alisa
This paper will explore the evolving purpose of museums in the sphere of international relations. Reflecting on the intrinsic political potential of museums, a case will be made that they are valuable assets for international relations and, more specifically, cultural diplomacy.  Contrasting their potential, the development of universal museums will highlight the current obstacles facing museums on their journey to becoming political actors. With the British Museum and AfricaMuseum as specific examples, the controversies facing museums are acknowledged through the lens of changing museological standards; these museums’ approaches to museology further exemplify which museums are currently equipped for diplomatic use. By the end of this paper, readers will be able to recognize that museums are evolving in the direction of further involvement in international relations and that the current obstacles to this development are enveloped in the issues of unsustainable relationship-making, traditional museology, and lack of museum ethics.
</description>
<dc:date>2022-05-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/20.500.13013/2215">
<title>The Universal Museum And International Relations: Obstacles To The Full Realization Of Museums In Cultural Diplomacy</title>
<link>http://hdl.handle.net/20.500.13013/2215</link>
<description>The Universal Museum And International Relations: Obstacles To The Full Realization Of Museums In Cultural Diplomacy
Grishin, Alisa
This paper will explore the evolving purpose of museums in the sphere of international relations. Reflecting on the intrinsic political potential of museums, a case will be made that they are valuable assets for international relations and, more specifically, cultural diplomacy.  Contrasting their potential, the development of universal museums will highlight the current obstacles facing museums on their journey to becoming political actors. With the British Museum and AfricaMuseum as specific examples, the controversies facing museums are acknowledged through the lens of changing museological standards; these museums’ approaches to museology further exemplify which museums are currently equipped for diplomatic use. By the end of this paper, readers will be able to recognize that museums are evolving in the direction of further involvement in international relations and that the current obstacles to this development are enveloped in the issues of unsustainable relationship-making, traditional museology, and lack of museum ethics.
</description>
<dc:date>2021-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/20.500.13013/895">
<title>Patriot and Loyalist Women of the American Revolution: How Feminine Figures Dealt with the Challenges of War and the Confines of Gender</title>
<link>http://hdl.handle.net/20.500.13013/895</link>
<description>Patriot and Loyalist Women of the American Revolution: How Feminine Figures Dealt with the Challenges of War and the Confines of Gender
Fornaciari, Micaela A
When war struck out between American colonists and the British crown in 1775, the political and social climate of what would become the United States was forever changed. The colonists took up arms and created militias to battle against what they considered to be tyrannical British rule. In the colonies themselves, another battle was being waged between citizens that considered themselves American patriots and those whom remained loyal to the British rule. While the history of this struggle has been told countless times by examining the involvement of men, what was the role for the women who aligned themselves with each side during these wartime affairs? This paper aims to focus on a group of four women, who represented both sides of this internal colonial conflict. These four women are Mercy Otis Warren, Lucy Knox, Grace Growden Galloway, and Elizabeth Murray Inman. By examining these women's journals, diaries, and letters of correspondence, one can see that every action that these women took was defined in some aspect by their femininity and the home itself. They all took on two roles during the war, with their main role being that of a traditional 18th century colonial woman and the second, that of a person trying to survive a war torn environment. Their lives were focused around the home and although the war changed aspects of their lives, the importance of domesticity remained.
</description>
<dc:date>2015-12-01T00:00:00Z</dc:date>
</item>
</rdf:RDF>
